“Resistance and change often begin in art, and very often in our art; the art of words…the name of our beautiful reward is not profit, it is freedom.”

— Ursula Le Guin 

“This is not how a human face looks” “The proportion is not right”

At first, resistance towards making art sounds like the inner critic.

That “my drawing is not up to par so I am not an artist”. 

 

I’ve been noticing that these critiques are ideas that originated from colonialism of what art is and isn’t.

Colonization of art has changed the way we see art culturally, politically and socially. 

Under censorship and control (aka. capitalism), our creative practices has become commodified - where art should be made for profit and for some form of gain.

Art is an act of resistance

How can we start to make art for ourselves as resistance from colonialism and for joy?

How can we connect with our images and art making that isn’t based from a lens towards the fine arts?

…working with art and images as a means to resist socio-political oppression.

Anti-oppressive art therapists are working to reclaim our creative practice and decolonize art making with art therapy and contesting to structural oppression from the psychotherapy field.

Shaun McNiff wrote in his book, Trust the Process: An Artist's Guide to Letting Go, that “art therapists are like refugees from the art world”. I’d like to think of us as rebels of the art world instead.

So how have you been rebelling in your creative practice?

“All of that art-for-art’s-sake stuff is BS. What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren’t writing about kings? All good art is political! There is none that isn’t. 

I’m not interested in art that is not in the world. And it’s not just the narrative, it’s not just the story; it’s the language and the structure and what’s going on behind it.”

―Toni Morrison

Some forms of art as resistance I have been working with are: 

• Making zines: a form of self-publishing art that came from feminist, activist movements popularized from the 80s. When I first started working as an art therapist, I created a workshop called, Zine Therapy (I was obsessed with making them). Zines are easy to distribute, low budget, and the content is filtered through the creator’s POV. My current faves are by Bianca ✨

• Cartoons and memes: sometimes opinionated, other times sensitive, maybe brightly coloured or humorous, through a critical lens through doodles/animations or storytelling with images … like my friend's work by John! ✨

• Clay/pottery: when I play with this earthy medium, themes around politics of the body and ‘smashing’ the patriarchy come up (💁‍♀️to get those air bubbles out). I love the meditative and trance-like feeling when I’m on the wheel… the way this medium holds memory and can be both delicate and forgiving—like healing with trauma.

If you wanted to share your thoughts, feel free to email me at linda@deciphercounselling.com.

Save this practice and come back to it for another day. If you know someone who may like this, share this blog post with them!

Thanks so much for being here :-)

I have been reflecting how from the outside…

social justice-work,

work by creatives or

those who want to make change in the world,

…have become romanticized.

It's the work that drives us to go around what's been already mapped out.

It can be deeply healing and rewarding, and can also be gritty, hard work.

So, what does social justice-oriented care look like? It means that we are committed to providing care that is anti-oppressive and rooted in social justice principles. This means that we work to identify and challenge systems of oppression. We aim to practice being in accountability and collective care with one another. We know that social change is a slow and difficult process, but we are committed to the long haul.

Here are some justice-oriented practices we, as a group therapy practice and as therapists, are committed in doing:

1. We are committed to the unlearning, decolonizing and working with values rooted in the principles of anti-oppression/anti-capitalism, anti-imperialism, racial justice, gender justice, disability justice, and HAES alongside you. We are also committed to examining our relationships to whiteness, white supremacy, colonialism, patriarchy and cis-heteronormativity as we talk to folks who come across our practice.
   

2. We aim to organize and redistribute wealth as much as we can. We reflect and actively work through a scarcity and charity mindset to one that is in solidarity and in community. After all, this work is survival work.
   
   

3. We aim to uphold anti-carceral care towards nuanced experiences and mental health cases we work with. Aka fighting for a world free from policing. Consent is highly prioritized in our work with folks. We are continuously reflecting on what the therapy field does that may perpetuate harm and power dynamics in and out of the therapy room. 
   

4. The effort to flatten hierarchies in systems. We work from a horizontal decision making structure in our team where we have as many people and members make decisions as possible.
   

   
   Note: We get that many of the folks we work with are struggling with or don’t work in settings where they can advocate/speak up for their values, are acknowledged, and are feeling stuck. In therapy, we may be brainstorming ways to support you in these oppressive spaces and find ways to name out what is going on more clearly.
   

5. We aim to support people in most dire conditions and center in marginalized folks and voices that are most impacted first, always.
   

6. Generative conflict and communication. Dean Spade’s book Mutual Aid discusses how conflict can be reworked into something positive and generative rather than something to be avoided and left to fester. This can look like clear decision making everyone is trained in.
   

7. We are committed in our own healing. Because some of us have been through similar stuff like the folks we work with and part of their journey speaks to parts of us from different points in our life that we are still working on. This is probably a big reason why we want to do this work alongside you.

We want to work together with you to end oppression in all of its forms. When we say "with you", we mean it. Everyone has a role to play in social justice, whether it is big or small. Because social justice in therapy can support folks to be heard and felt.

Here are 3 ways you can start to decolonize your creative practice.

1. Make some trauma-informed art.
   

   We need to unlearn rules around making art that has been tying us down. Have you been feeling like your work is not enough? Are you censoring or policing your creativity and the process? As Yumi Sakugawa says, we need to ‘transmute shame to freedom’. Giving ourselves the permission to make ‘imperfect’ or what I would call, trauma-informed art, is core to trauma-healing from a world that gatekeeps what art should be.
   
   

2. Allow for creative accidents.
   

   Creative accidents are things that happen when we are working with art materials that lead to exploration in areas that you may have never thought you would explore.
   Being untrained artistically can actually be an advantage when working with images and intentions because having less training can sometimes mean you have less control over the art medium you are working with. Having less control means that there is more of a chance for something “other” to come through on the page.
   
   

3. Respect what you create.

   
   Our art carries so much life. Our art holds meanings and inner wisdom as well as curiosity, and carry emotions that may not be ready to be seen yet or ever. I hope you get to learn to enjoy and seek beauty in the process

Current thoughts as an art therapist.

Something art therapists see too often is when folks we work with are reluctant and avidly rejecting art making.

There are many ways the art therapy and mental health field gatekeep therapeutic art making as a 'modality'. This makes it harder to debunk the myth that 'art making is a luxury' and a skill that only certain folks who gone through clinical training can practice day to day.

As a newly registered art therapist, I am brainstorming ways to decolonize the field of art therapy. I've been so excited to see some art therapists publicizing art as therapy knowledge in the public eye.

For myself, my role is gravitated towards having conversations and collaborating with folks to make art around art-related trauma or experiences of invalidation around art, art therapy or therapy.

In my work, ‘making art’ doesn't have to be drawing or painting. I find many folks are more familiar and comfortable creating metaphors around their experiences.

I hope you get to heal and practice decolonizing within your creative practice too!

Abled-supremacy is real, and it’s right in front of our faces.

It’s been almost 3 wild years of this unprecedented change in our lives: for many, losses, feelings of isolation and difficulties in emotional/mental/physical health; changes in finances, career, and missing relationships of our loved ones around the world has been extremely painful. The way we relate with one another has become so different and at times, disorienting to our foundations. Abled-supremacy (ableism) is becoming so obvious with part of it being through the effects of the pandemic.

“A cornerstone of being disabled in an ableist world is isolation.“ - Mia Mingus

In August, I caught coronavirus. I am not immunocompromised, yet it took me nearly 2 months to feel like myself again- after losing hearing from my left ear from that duration of time. If you have experienced internalized ableism when being sick, you will know how unkind and unforgiving you can be towards yourself. You may experience washes of shame and rage that can only be ‘replaced’ if you were to coerce yourself to be ‘productive’: by overriding your body’s need to operate on rest to reach some sort of equilibrium.

When we don’t talk about ableism or wear our masks during an ongoing pandemic, we contribute to the erasure of our disabled kin and reject parts of us that aren’t within the ‘norm’.

Although I am someone who has been actively trying to wear my mask and carrying a hand sanitizer in my bag at all times, it has not been easy and many times discouraging when I want to advocate for others around me to do the same or when I’m questioned by others around me whether I am sick when I bring my mask along.

Ever since mandated masks and social distancing has been lifted, many of us returned to blatantly erasing and gaslighting the immunocompromised, sick and disabled community, away from existence. We have lost our way and abandoned our disabled kin.

We have been rejecting ‘disabled deaths for abled life’ and this is a direct commentary towards part of us we reject that aren’t within the norm.

”No institutions exist to help us survive—we survive because of each other” - Leah Lakshimi Piepzna, Samarasinha

I’ve been taking in the words of Mia Mingus, Leah Lakshimi Piepzna, Samarasinha and Talila Lewis and many more disabled justice-oriented activists who have been helping me find ways to create space and center in the wisdom of our SDQTBIPoC (Sick Disabled Queer Trans Black Indigenous People of Colour) community.


For the curious reader:

I hope you can recognize and call out your internalized ableist voice and challenge it.

I hope you get to find a community of folks who can acknowledge abled-supremacy, genuinely respect you including validating your experiences, and accepting all parts of you. Because collective healing and mutual aid can shift difficult and unbearable moments.

I hope you connect to parts of you that had been or has continuously been rejected and erased.

I hope you can be in solidarity and listen to our sick and disabled kin and be led by those who know the most about these systems and how they work - from leadership of those most impacted.

With warmth,

Linda